Pumpkin Seed Sunfish

Ceramic Plate

16" x 9 "

£180 Frank Hamer

Coney

Ceramic Plate

9" x 12 "

£140 Frank Hamer

Indian Threadfish

Ceramic Plate

7" x 7 "

Sold Frank Hamer

Welsh Char

Ceramic Plate

16" x 9 "

Sold Frank Hamer

Yellow Blenny

Ceramic Plate

6" x 8 "

Sold Frank Hamer

Shubunkin

Ceramic Plate

8" x 6 "

Sold Frank Hamer

Half Moon Angel Fish

Ceramic Plate

6" x 8 "

Sold Frank Hamer

Blue Bream

Ceramic Plate

8" x 7 "

Sold Frank Hamer

Zope

Ceramic Plate

8" x 6 "

Sold Frank Hamer

Amazon Hatchet Fish

Ceramic Plate

9" x 9 "

Sold Frank Hamer

Carp

Ceramic Plate

8" x 7"

Sold Frank Hamer

Short Big Eye

Ceramic Plate

8" x 6 "

Sold Frank Hamer

Three Sea Trout

Ceramic Plate

12" Long

Sold Frank Hamer

Starry Ray

Ceramic Plate

9" Long

Sold Frank Hamer

Carp

Ceramic Plate

10" Long

Sold Frank Hamer

Threadfish

Ceramic Plate

7" Long

SoldFrank Hamer

Hatchet Fish

Ceramic Plate

7" Long

SoldFrank Hamer

Welsh Char

Ceramic Plate

16" Long

Sold

Sea Trout

Ceramic Plate

12" Long

Sold

Carp

Ceramic Plate

10" Long

Sold

Butterfly Fish

Ceramic Plate

10" Long

Sold

Rudd

Ceramic Plate

9" Long

Sold

South American Piranha

Ceramic Plate

8" Long

Sold

Wagtail Platy

Ceramic Plate

8" Long

Sold

Tooth Carp

Ceramic Plate

7" Long

Sold

The Welsh Char

Ceramic Plate

15" Long

Sold

Star Shubunkin

Ceramic Plate

8" Wide

Sold

Pirahna

Ceramic Plate

8" Wide

Sold

Striped Angel Fish

Ceramic Plate

8" Wide

Sold

Two Amazon Hatchet Fish

Ceramic Plate

11.5" Long

Sold

Two Branded Hamlets

Ceramic Plate

9.5" Long

Sold

Frank Hamer

Frank Hamer Artist Potter Fish Plates The Potter's Dictionary South West Wales Fountain Fine Art Llandeilo

I design and make press-moulded plates with fish for imagery. The plates incorporate ceramics with my interests in drawing and decoration. They should be read on four levels: as plates; as overall decorative objects; as specific imagery and, very importantly to me, as ceramic happenings. I like to see the thickness of glaze as it flows over the channels of sgraffito work, as it enlivens the coloured slips and fuses with the various added areas of pigment. I believe that ceramics should speak with the vocabulary of clay, glaze and colour strongly affected by fire.

 

I draw the fish on newspaper and cut them out to provide me with distinctive flat shapes. I use these to resist coloured slips to create the decoration. Some plates have as many as ten layers of slip brushed on to them and have other pigments applied before being glazed and reduction-fired to stoneware at 1250 °C.

 

Fish can curve their bodies from side to side even to the point of nose to tail but have very restricted movement in flexing up and down as seen in a side view. Artists have always taken liberties with this up and down curve to give the impression of a swimming movement. I follow this precedent and I also accentuate the proportions of a fish and emphasise its detail to establish its character. The eyes, especially, are humanised, an anthropomorphic device used 300 years ago in the Middle East. Fish plates have their pedigree!
Copyright © Fountain Fine Art, 2005