Mumbles Morning

Oil on board

16" x 12"

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End Of Shift

Oil on board

16" x 12"

£495 Alastair Elkes-Jones

The Afternoon Shift

Oil on board

16" x 12"

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At The Face

Oil on board

12" x 16"

£495 (Check for availability) Alastair Elkes-Jones

The Lamp Room

Oil on board

12" x 16"

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Waiting For The Cage

Oil on board

12" x 16"

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Mumbles Winter - Mother & Child

Oil on board

24" x 16"

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Local Hero

Oil on board

11" x 15"

£550 (Check for availability) Alastair Elkes-Jones

Conversations In The Park

Oil on board

20" x 16"

£650 (Check for availability) Alastair Elkes-Jones

Boating On Llyn Tegid

Oil on board

12" x 15"

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Abereiddy From Across The Bay

Oil on board

11" x 15"

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The Red Shopping Bag

Oil on board

11" x 15"

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Yellow Daffodils

Oil on board

9" x 11"

£395 (Check for availability) Alastair Elkes-Jones

Cocklepicker II

Oil on board

7" x 10 "

£395 (Check for availability) Alastair Elkes-Jones

Home From Co-Op II

Oil on board

11" x 15 "

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Home For Tea

Oil on board

11" x 15 "

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The Collection Money - St Teilo's

Oil on board

15" x 22"

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Home From The Shops - Llandeilo

Oil on canvas

10" x 14"

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Home From The Shops - Llandeilo

Indian Ink & Wash

8" x 12"

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Cocklepicker - Llansteffan

Indian Ink & Wash

8" x 12"

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Spanish Boy - La Ramblas

Indian Ink & Wash

8" x 12"

£165 (Check for availability) Alastair Elkes-Jones

Off To The Co-op - Llandeilo

Indian Ink & Wash

8" x 12"

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Alastair Elkes-Jones

Alastair Elkes-Jones Painter Swansea Mumbles South West Wales Fountain Fine Art Llandeilo

Alastair Elkes-Jones was born in Llangollen in 1942 and spent his childhood and formative years in the industrial and rural climate of North Wales.

Since 1971 he has lived on the South Wales coast working at his studio in Mumbles. Painting has been a life long pursuit unencumbered by formal training.

His inspiration is found in the imagery of rural and coastal South Wales, the mountainous landscapes of North Wales, and the people who live and work there.

He works primarily in oils, applying the medium with brush and palette knife, often onto a canvas divided into a triptych form, building up the surface of the canvas with successive layers of paint. Finally brushes are used to work both into wet paint and onto the drying layers of the under-painting to achieve a distinctive blend of texture and colour in the final work.

The earlier, anecdotal works of floral still life, the people of the South Wales valleys and local beaches have begun to play an increasingly important part in the development of a more abstract style. Here, the building of a surface dominated by colour patterns tends to take the subject over from a more mechanical application of paint, in a wholly instinctive and often subconscious process.

The final outcome derives from a meeting of experiences, past and present; north and south, that produce images transmuted by the earlier and powerful experiences of a childhood in rural Wales.

Alastair exhibits widely across South Wales.

Copyright © Fountain Fine Art, 2005